Fishbone - Chim Chim's Badass Revenge (From Drivel #5, Oct/Nov 96) (BMG) After going through traumas more unique than any rewrite of Spinal Tap, Fishbone are back - having been dumped by one major label and treated with a fair degree of contempt by their current one. This album has been out for a month or so now and could only be purchased on import. Fuckin' what? A couple of minutes is taken for an Interlude in which you are re-introduced to the band, perhaps as a remedy for the frustrating lack of news on this band for the last two years. This is no small-time LA ska-funk-punk outfit, and the band reflect their frustrations with the music Biz most blatantly with Rock Star; classic Fishbone crunching guitar, tightarse brass and Angelo Moore rattling off machine gun lyrics "Racism!/Separation!/Media!/So you guess I can say I'm an angry brotha. Can't play my music cause of barrier of colour/Deep in debt with a seven record set/Videos and funky shows but no-one knows...." Maybe a call of sourgrapes by a band who've never quite hit? Can you imagine the sense of gall these guys feel? Together since 1979, they watch as a 90s generation of snotty-nosed whiteboys take punk, dumb it down and make it into pop every bit as inane as the shitty electro-funk wheeled out and labelled 'dance' music. If there was ever a band who played music expressly in order to get the crowd jumping around like loonies, it was this. (Hands up all those who witnessed singer Angelo Moore climb the outside of the Palace stairs and jump backwards from the balcony into the crowd, only to roll across the crowd and back on stage for a sax solo). For ska, take their efforst Alcoholic and In the Cube. Oh yes, happyjoy lyrics about being a punk rocker treated like shit by an alcoholic uncle, but it's music to leap about insanely to, with glimpses of a soon-to-be antiquated art-form - musicians able to sample other music simply by playing it in the middle of something else, rather than DAT or sample. In the Cube gives you that other side of Fishbone - the completely insane one. Who sings big bluesy ska about being so fed up with the world they live down a toilet? The title of this album gives you a clue as to the afro-centric approach to rock these guys have (Sweet Sweetback's Badasssss Revenge was the 1971 film classic that spawned the 'blaxploitation' era of film) yet they don't beat you over the head with it, although precious honkeys may have a problem with the scream of "KILLLL WHITEEY!" before the 58 second thrash of Riot in which Moore screams When you ain't got shit / make you wanna loot shit! When ya fuckin fed up/ sure gonna sshoot shit! Fishbone are the masters of using music as monkey bars to swing and flip around, and after so long gone it's great to hear them back in the playground in such style. Soulman Rushdie.