What's in the Fonts

In "Fughetta" (Basic notational symbols):

ACCIDENTALS:

• French "x" diese
• 45-degree Renaissance sharp
• square ("hard") bemol
• cross-plus-dots doublesharp
• square-bracketed editorial accidentals (#,h,b,x,bb)

NOTEHEADS:

• square augmentation dot
• white-note cluster symbols for intervals of a fourth, fifth, sixth, and octave, as well as components to construct other intervals
• slashed notehead (percussion)
• round notehead with left-arrow (brass)
• White(outline and shaded)and black versions of the following notehead shapes:
  • diamond (45-degree square) (suitable for harmonics)
  • diamond (narrow), Renaissance style
  • square
  • oblong
  • equilateral triangle (four orientations)
  • right triangle, diagonal hypotenuse (four orientations)
  • right triangle, horizontal hypotenuse (pointing up and down)
  • slightly narrower triangle (pointing up and down)
  • perfect circle
  • semicircle (four orientations)
  • crescent (fingernail) (three orientations)
  • v-shaped arrowheads (pointing up and down)
  • long (oblong notehead with stem on right)
• Renaissance breve (half-width)
• Renaissance long (half-width)
• x
• x in circle
• diamond in circle
• double-sharp x in circle
• breve with single lines on sides
• three alternate shapes for standard black and white noteheads (slightly larger, etc.)

RESTS:

• reversed quarter-note rest
• double-tailed quarter-note rest
• long rest

FLAGS:

• angled and flat beamlet-flags, including up and down stems with up to three flat broken beams
• Renaissance "loop" flags

CLEFS & TIME:

• two-line percussion clef
• Renaissance "Ladder" C clef (two varieties)
• Medieval C and F clefs
• Baroque F and G clefs
• Treble clef with 8 and 15 above
• Bass clef with 8 above
• Bass clef with 15 below
• Time and Prolation signs (C C. O O. , as nearly as I can symbolize, as well as C and O with diminution slashes and a reversed C)

OTHER SYMBOLS:

• Eight additional arrowheads at angles supplementing those available in "Toccata"
• Digits 0-9 in a size and style suitable for MM markings or fingerings

In "Toccata" (articulations and expressions):

• arpeggio marks with up- and down- arrows
• "Mozart carrot" accent mark
• parentheses to fit around notehead, notehead with accidental
• slide, glide, smear, doit, rise, fall-off articulations
• acute-accent, accent-grave, and breve articulations
• tenuto-accent, tenuto-staccato combinations
• thicker accent and tenuto marks
• tenuto + acute accent marking
• double-tonguing and triple-tonguing dots
• cello thumb-fingering mark
• string/fingering numbers 1-6 in circles
• string/fingering numbers 1-5 in squares
• harp dampening symbols (single notes, notes above, below, in range)
• harp P.D.L.T waves (horizontally cloneable)
• tuning-key symbols
• other harp symbols (fingernails, various esoterica, pedaling diagrams)
• organ heel and toe pedal markings
• Hauptstimme, Nebenstimme markings
• two varieties of Bartok pizz
• dynamic markings to match dynamics' font (dim., sub., cresc., poco, n)
• square and triangular fermata markings
• parenthetical small noteheads for marking enharmonics (b, h, #, bb, x)
• arrows pointing in 8 compass directions
• trill signs with b, h, #
• short slurs to indicate "l.v."
• "tails" for repeat signs
• 21 microtonal accidentals
• numerals 1-8 with circumflexes, for Schenkerian analysis
• "plectrum" symbol
• three additional "speeds" for trill-wavy-line
• Renaissance-style "eye-guide" for end-of-staff
• six angles of cloneable glissandi
• two sizes of sinusoidal waves (horizontally cloneable)
• inverted cross
• Baroque ornament resembling Greek letter psi
• "8b" notation for those who dislike "8vb"
• "15mb" symbol
• "coll' " marking for use with 8va
• blacked-in coda, plus coda 1 and coda 2 signs
• 4 different mallet symbols for percussion
• straight arrows in 8 directions
• 16 different curved arrows
• double-shafted arrows pointing left and right
• Beginning and ending repeat double-bars
• brass timbre symbols [a], [m], [u], [wa]
• editorially bracketed fermatas, accent, tenuto, staccato, bowings
• small (note-size) and large (staff-size) square brackets

...and still more symbols not described!

Note: Two types of symbols are not treated in depth in these fonts: Medieval neumes and ligatures, and percussion pictographs. I felt these two presented issues which could not be treated properly here, and have relegated these symbols to future projects. Also, fonts already exist that cover these items to a certain extent.