List of Sculptures to be Known for the Final Exam
ITALIAN RENAISSANCE SCULPTURE
EXAM DATE: MONDAY, MAY 10 FROM NOON TO 3 P.M. VOORHEES 104

The sculptures on this list should all be old friends by now. Your knowledge of Olson should be close to that of complete memorization, with Avery's Donatello not far behind. For Hibbard, I will expect that you will know the sculpture and closely related material. If you have any questions as to what this would be, contact me. Note that some of these have links to online photographs; I'll try to add some more for your convenience.

In writing the comparisons and the essay, please keep in mind that what I want are responses that show that you can place these sculptures in their appropriate artistic and cultural context. Therefore, do not expend time on rote memorization of isolated facts for each work; be prepared to relate the works to one another (esp. true for the comparisons) in the format of a considered essay, whether shorter or longer in length.

Lecture 13 : March 2
Donatello

• St. George and the Dragon, predella panel for St. George niche, Orsanmichele, Florence, 1417.
• Floor Relief of the tomb of Giovanni Pecci, Bishop of Grosseto, ca. 1428. Cathedral, Siena. Marble.
• Ascension of Christ and the Giving of the Keys to St. Peter, ca. 1425-1430. Marble.
• The Feast of Herod, from the font of the Baptistery of Siena, ca. 1427. Gilded bronze.
• Madonna of the Clouds ("Virgin of Humility") ca. 1425-28. Marble.
• Pazzi Madonna, ca. 1425-35. Marble.
• Tomb slab of Giovanni Pecci, Bishop of Grosseto, ca. 1428. Siena Cathedral. Marble.
• Donatello with Michelozzo: tomb of Pope John XXIII (Baldassare Coscia), ca. 1435. Gilded bronze, pietra serena.
• Relief sculptures for the Medici Chapel, San Lorenzo, Florence. 1428-35. Polychrome stucco (the roundels), polychrome terracotta (the saints above the doors).
• Bronze doors for the exterior of the Medici Chapel, 1435-40.
• Cavalcanti Annunciation, Santa Croce, 1428-33. Gilded pietra serena.
• With Michelozzo. Exterior pulpit for Prato Cathedral, ca. 1428-38.
• Cantoria (singing gallery) for the Duomo of Florence, 1433-39. Marble, glass mosaic, bronze.
• Luca della Robbia: his cantoria for the same location, 1430s. Marble. Both removed in 1688; now in Museo dell'Opera del Duomo.

Lecture 14, 15 : March 4, 9

• Jacopo della Quercia. Tomb of Ilaria del Carretto. ca. 1408, marble. Lucca, Cathedral.
• Bernardo Rossellino. Tomb of Leonardo Bruni. 1446/47, marble, colored stone. Florence, Santa Croce.
• Desiderio da Settignano. Tomb of Carlo Marsuppini. 1453/64, marble, colored stone. Florence, Santa Croce.
• Pisanello: medals: Sigismondo Malatesta, Lionello d'Este, Cecilia Gonzaga, All 1440s.
• Mino da Fiesole. Piero de'Medici, 1453. Marble.
• Antonio Rossellino. Giovanni Chellini, 1456. Marble.
• Antonio Rossellino. Matteo Palmieri, 1468. Marble.
• Benedetto da Maiano. Pietro Mellini, 1474. Marble.
• Mino da Fiesole. Niccolo Strozzi, 1454. Marble.
• Francesco Laurana. Battista Sforza, ca. 1474. Marble.
• Antonio Rossellino. Portrait of a Lady, ca. 1460. Marble.
• Luca della Robbia. A Lady, and A Young Female Saint, both ca. 1465.
• Desiderio da Settignano. The Laughing Boy, ca. 1463; A Little Boy, ca. 1455.
• Verrocchio. Young Lady with Flowers, 1470s. Marble.

Lecture 16 : March 11

• The Chellini Madonna. Bronze. Before 1456. Here is a photo of the other side (the verso). Remember also its connection with Giovanni Chellini (see the A. Rossellino portrait).
• St. John the Baptist. From the Chapel of the Florentines, church of the Frari, Venice. Painted (polychromed) wood. 1438.
• Mary Magdalene. Gilded and polychromed wood. After 1453.
• David. Bronze. Somewhere between 1430s-1450s.
• Amor-Atys. Bronze. 1440s-1450s.
• Equestrian monument to Gattamelata. Piazza del Santo, Padua. Bronze on marble and stone pedestal. 1443-1447.
• The Altar of St. Anthony. Statues and reliefs. Church of Il Santo (the Saint). Bronze, marble, colored stone, mosaic. 1446-1449. Of these, know: Group of St. Anthony, the Virgin and Child, and St. Francis; Christ as the Man of Sorrows; Miracle of the Believing Donkey; Miracle of the Irascible Son.
• Crucifix Bronze. 1444-49. Above the High Altar, Church of Il Santo, Padua.
• Judith and Holofernes. Bronze. After 1453.
• Lamentation over the Dead Christ. Bronze. From the South Pulpit, church of San Lorenzo, Florence. 1460+.
• Resurrection of Christ and Christ in Limbo. Bronze. From the North Pulpit, church of San Lorenzo, Florence. 1460+.

Lecture 17 : March 23

• Agostino di Duccio (1418-1481?) Relief sculptures for the interior of the Tempio Malatestiano, Rimini, 1450s; ALSO: relief sculptures for the facade of the Oratory of San Bernardino, Perugia.
• Niccolo dell'Arca (1435-1494) The Lamentation over the Dead Christ, Santa Maria della Vita, Bologna, 1463. Plus other works.
• Guido Mazzoni (active after 1473; died 1518) The Lamentation over the DeadChrist, Sant'Anna dei Lombardi, Naples. Plus other works.

Lecture 18 : March 25

• Bertoldo di Giovanni. Apollo. Bronze, 1478.
• Bertoldo di Giovanni. Medal of the Pazzi conspiracy. Bronze, 1478.
• Bertoldo di Giovanni. Bellerophon and Pegasus. Bronze. Before 1480.
• Antonio Pollaiuolo. Hercules and Antaeus. Bronze, ca. 1475.
• Verrocchio. Putto with a Dolphin. Bronze, ca 1470.
• Verrocchio. David. Bronze, before 1476.

• Verrocchio. Tomb of Piero and Giovanni de'Medici, Medici Chapel, San Lorenzo, Florence. Marble, bronze, porphyry, and colored stones. 1469-72.
• Antonio Rossellino, the tomb of the Cardinal of Portugal, San Minato al Monte, Florence, 1459-1466.
• Mino da Fiesole, tomb of Count Ugo, Florence, Badia, 1460s-1484.
• Antonio Pollaiuolo, tomb of Pope Sixtus IV, St. Peter's Rome, 1484-93.
• Antonio Pollaiuolo, tomb of Pope Innocent VIII, St. Peter's, Rome, 1492-98.

Lecture 19, 20 : March 30, April 1

• Antonio Rossellino, the tomb of the Cardinal of Portugal, San Minato al Monte, Florence, 1459-1466.
• Mino da Fiesole, tomb of Count Ugo, Florence, Badia, 1460s-1484.
• Antonio Pollaiuolo, tomb of Pope Sixtus IV, St. Peter's Rome, 1484-93.
• Antonio Pollaiuolo, tomb of Pope Innocent VIII, St. Peter's, Rome, 1492-98.

• Antonio Bregno. Monument to Doge Francesco Foscari, S.M. Gloriosa dei Frari, Venice. After 1466.
• Antonio Rizzo. Monument to Doge Niccolo Tron, S.M. Gloriosa dei Frari, Venice. Begun 1476.
• Adam and Eve from the Arco Foscari, Palazzo Ducale, Venice, 1485.
• Andrea del Verrocchio. Colleoni Monument, Ss Giovanni e Paolo, Venice, 1486+.
• Pietro Lombardo. Monument to Doge Pietro Mocenigo, Ss Giovanni e Paolo, Venice, 1476-81.
• Tullio Lombardo. Monument to Doge Andrea Vendramin, Ss Giovanni e Paolo, Venice, 1480-95.
• Tullio Lombardo. Double portraits: one called Self-Portrait with Wife, 1490-1510; and one called Bacchus and Ariadne, 1520-25.
• Tullio Lombardo. Effigy of Guidarello Guidarelli, after 1501.
• Antonio Lombardo. The Miracle of the Reattached Leg and the Miracle of the Miser's Heart, Cappella del Santo, Padua.

Lecture 21 : April 6

• Leonardo da Vinci. Project for an equestrian monument. 1508-11 ca.
• Giovanni Francesco Rustici. Preaching of St. John the Baptist. 1506-11 ca. North door, Baptistery, Florence.
• Michelangelo. Madonna of the Stairs. 1490-92 ca. Marble.
• Michelangelo. Battle of the Lapiths and the Centaurs. 1492 ca. Marble.
• Michelangelo. Bacchus. 1496 ca. Marble.

Lecture 22-26 : April 8-22

• Vatican Pieta. 1497-1500. Marble. St. Peter's, Vatican City.
• David. 1501-04. Marble. Florence.
• Taddei Tondo. 1504 ca. Marble.
• Pitti Tondo. 1503-05. Marble.
• Bruges Madonna. 1503-05. Church of Our Lady, Bruges.
• St. Matthew. 1504-08.
• Sculptures for the tomb of Julius II: Dying Slave (ca. 1514), Rebellious Slave (ca. 1514), Moses (ca. 1515?), Awakening Slave (1520-25), Rachel and Leah (1540s). Know the basic history of the project (completed in 1547, and set up in San Pietro in Vincoli, Rome) and how it relates to the Sistine Ceiling.
• Medici Chapel project, 1519-33 ca. Know all of the sculptures in Hibbard and on the slide display area.
• Victory. 1527 or earlier. Marble.
• Bust of Brutus. NOW known to date ca. 1550.
• Florence Pieta (Deposition of Christ), ca. 1547-55. Marble.
• Rondanini Pieta, ca. 1555-64.

Lecture 27 : April 27

• Baccio Bandinelli, Hercules and Cacus, ca. 1525/34. Marble. Piazza della Signoria, Florence.
• Baccio Bandinelli, Pieta, 1554-59. Marble. Ss Annunziata, Florence.
• Benvenuto Cellini, Salt Cellar, ca. 1540-44. Gold, enamel, and ebony.
• Benvenuto Cellini, Nymph (aka Genius) of Fontainebleau, ca. 1542. Bronze.
• Benvenuto Cellini, Portrait Bust of Cosimo I, 1545-47. Bronze.
• Benvenuto Cellini, Perseus, 1545-54. (Consider the entire construction) Bronze and marble.

Lecture 28 : April 29